7/28/2023 0 Comments Knxwledge annotations meaningNamed for the year of his birth, 1988 is the perfect distillation of Boothe’s process. (It became Lamar’s song “Momma.”) “, if you wanna use it, I have the stems,” Boothe says, “So I can make it sound a thousand times better, and you guys have these engineers that will make it sound even better than my version.” After Lamar heard Booth’s song “So” during a photoshoot, he requested it for his upcoming To Pimp A Butterfly album. Some of his beats have also been repurposed as instrumentals for rappers like Kendrick Lamar, Joey Bada$$, and Roc Marciano. From there, his catalog grew to include not only his solo beat tapes, but also a revered series of remix projects, including a subset dedicated to Philadelphia spitter Meek Mill. Then, I started sequencing those drums, and got into the software after that.”īoothe announced his arrival on a four-track debut called 3P in 2009, with opening track “Bile(JustforU)” making use of of woozy soul samples that caress gently jittering drums. “I’d say my first steps were definitely looping. “For some reason, I have the patience to learn difficult software, but it was definitely tough to grasp, and make shit sound like what you want to.” Realizing the SP-303 was “just a tool-there’s nothing in there,” he started sampling the soul and gospel music he heard on the way to church. He soon set his sights on learning to program the 303. “The whole music thing started there,” he recalls. Noticing their son’s interest in music, Boothe’s parents gifted him an SP-303 drum machine when he was in middle school. “I couldn’t really grasp any one instrument, so I tried everything,” he says. ![]() Every week, after services finished, Boothe would have access to a treasure trove of instruments with which he could experiment. That discipline is an outgrowth of Boothe’s younger years, growing up in the church in central New Jersey. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to track “I’m blessed enough that people love it, so I treat it as a regular job.” “Music is my job for myself,” says Boothe. His second album for Stones Throw, the soothing 1988, pulses with gentle loops and warm, entrancing drums. Each track takes him “a few minutes” to assemble the longest he’s gone without recording a song is “probably not more than a day.” But despite his staggering discography- over 100 projects deep, and counting-there’s nothing slapdash about Boothe’s music. He estimates that, on an average week, his desktop will fill up with “a few hundred joints,” many of them following the blueprint for which he’s become well-known: layered, deftly-sourced soul loops over hypnotic, lo-fi drum patterns. The beatmaker, born Glen Boothe, is describing the process by which he releases an unfathomable amount of music every month. Then, I clear it off on Sundays,” says 32-year-old hip-hop producer Knxwledge from his home in Los Angeles. ![]() “I’ve got a really big screen in front of me and I try to fill the desktop with songs throughout the week.
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